I trained in architecture in Korea and have practised interior design in Vancouver since 2022. That means I read a building before I decorate it — where the structure will let you move a wall, and where it won’t.

The work runs to earth and plant colours, to curves and hand-made texture, to materials that are allowed to be imperfect. Underneath it is a Korean sense of space: emptiness treated as something you compose, not something you fill.